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Custom having once given the name of " the ancients " to our pre-Christian ancestors, we will not throw it up against them that, in comparison with us experienced people, they ought properly to be called children, but will rather continue to honor them as our good old fathers.

M.S.

Un Coup De Dés Jamais N'Abolira Le Hazard (Sculpture), 2008

programme vernissage / opening    17/12/2010 de 15h à 22h
ouverture 18-19/12/2010
Forum -1 de 11h à 20h

projections
installations
performances

Centre Pompidou, Paris

see SOME MORE SONNET(S), first presented FAXED at Drawing Center, NY

 

New York Art book Fair floorplan, room N203: table 20

Printed Matter presents the fifth annual NY Art Book Fair, November 5–7 at MoMA PS1, Long Island City, Queens. Free and open to the public, the Fair hosts over 250 international presses, booksellers, antiquarian dealers, artists and publishers from twentyfour countries, offering the best in contemporary art book publishing.

 

FOREVER & TODAY, INC. PRESENTS
MICHALIS PICHLER AT THE GOETHE-INSTITUT
NEW YORK WYOMING BUILDING

FEATURING A READING, SLIDE SHOW, MUSICAL
PERFORMANCE, AND NEW BOOK/EDITION LAUNCH

Organized by Ingrid Chu and Savannah Gorton
Tuesday, November 2, 2010, 7-9pm
Hosted by Goethe-Institut New York; Program in English
Goethe-Institut Wyoming Building, 5 East 3rd Street; FREE
Subway: B/D/F/M to Broadway-Lafayette; 6 to Bleecker

Forever & Today, Inc. presents Berlin-based poet and conceptual artist Michalis Pichler for an event hosted by the Goethe-Institut New York at its Wyoming Building location. The evening features a reading, with a slide show and musical performance, and the U.S. launch of his book, Der Einzige und sein Eigentum (The Ego and Its Own), 2009, published by Pichler's Berlin imprint "greatest hits". The launch also includes Forever & Today, Inc.'s newly commissioned limited edition Chinese translation book cover and glossary.

Sonntag, 24. Oktober 2010, 11.00 Uhr
Muffatwerk
Eintritt frei

Im Rahmen des Symposiums soll kontrovers durchleuchtet werden, wie aktuell im Kunstbetrieb und in einer digital geprägten Gesellschaft mit der Ressource „Wissen“ umgegangen wird. Wie bildet sich Wissen, und welche mehr oder weniger offene Form von Zugang zum Wissen sollte es geben? Welche Möglichkeiten der autonomen Wissensbildung hat heute ein Künstler, und welche Form von Individualität oder Gemeinschaft kann so geschaffen werden? Wie funktioniert eine Performance als Drehscheibe für künstlerische Autonomie und Wissensklau?

Elefanten in der Limonenstrasse

Hildegard Karnath, born on October 22nd 1910, worked as a designer for most of her life, designing movie posters for the UFA in the 30ies. In private, for more than six decades she was clipping images from magazines and assembled a vast collection of images (animals, celebrities, flowers - dozens of themes).
She passed away recently, her archive was sold on the fleamarket, and probably most material has been lost.
At what would have been her 100th birthday, one of her collections was pasted in her neighbourhood, where she used to live for half a century.

WHEN ATTITUDES FADE OUT
QUAND LES ATTITUDES SE DILUENT


EDGAR ARCENEAUX, DORO BOEHME, MARCEL BROODTHAERS, JEFFREY BROUWS, CORINNE CARLSON - MARLA HLADY - KAREN HENDERSON, WALTER DAHN, SHAWNA DEMPSEY - LORRI MILLAN, ERIC DOERINGER, JIRI GEORG DOKOUPIL, MARCEL DUCHAMP, SAMMY ENGRAMER, JOËL FISHER, THOMAS GALLER, ANNE VALERIE GASC, RODNEY GRAHAM, RICHARD JACKSON, MARTIN KIPPENBERGER, TANJA LAZETIC, SARA MACKILLOP, JONATHAN MONK, FRANÇOIS MORELLET, SIMON MORRIS, BRUCE NAUMAN, MICHALIS PICHLER, ACHIM RIECHERS, ALLEN RUPPERSBERG, ED RUSCHA, TOM SACHS, JEAN-FREDERIC SCHNYDER, YANN SERANDOUR, JIM SHAW, DEREK STROUP, DEREK SULLIVAN, ERIC TABUCHI, LOUISA VAN LEER, LAWRENCE WEINER, HERMANN ZSCHIEGNER

Museum of Contemporary Art Skopje
October 1 - 22 2010

Description of project:

"European and international artists are asked to present works in the exhibition The apparatus of life and death. In fact, SEAFair 2010 will convey the story of artists attempting to navigate through the maize of the newly constructed global bio-political apparatus, in a changing social matrix, in which the rules are just being set (new rules being established and old rules which are vanishing). In the unstable and confused process, unwanted features of the murky waters slowly start showing up with some the participants swimming nicely in them whereas others are maladjusted.

Curated by Seth Kim-Cohen
Diapason Gallery, October 2010
Opening Friday, October 1, 7pm
Installations run Saturdays, October 2, 9, 16, 23, 2pm-8pm

 

Artists, in alphabetical order:

Doug Barrett, Violin Tuned D.E.E.D.
Rozalinda Borcilla, Listening for Beginners
Seth Cluett, Tracing Moving Circles (Neighborhood Memory)
Chris Cuellar, Tactical Archiving          
Benedict Drew, Drum Loop
Jarrod Fowler, Rhythmsystemics 
Seth Kim-Cohen, Critique of Instrumental Reason (by use of drums)
Chris Kubick and Anne Walsh, To Make The Sound of Fire
Corey Larkin, Monochrome
Lou Mallozzi, Screenplay: one and one
Christof Migone, 4 Feet and 33 Inches
Matthew Mullane, Détourned Down: A Conversation with Seth Kim-Cohen
Rob Mullender, Said Object / Daughter’s Voice From Memory
Michalis Pichler, Un coup de dés jamais n’abolira le hazard (Musique)
Michelle Rosenberg, Whistle Wall
Jennifer Schmidt, Hard Times / Scrabble Value: A Conversation in 2 Parts
Benjamin Thorp, Black Box
Heather and Seth Warren-Crow, Grayface
James Whitehead (JLIAT), Esse Est Percipi?

 

Curated by Polyna Kosmadaki and Christopher Marinos (within the framework of Zone D of the Zoumboulakis Gallery)

27 September–30 October 2010
Tue–Wed–Fri 15.00–21.00, Thu 15.00– 24.00, Sat12–21.00, Sun & Mon closed
Building A:  10 Agias Irinis Sq.  Building B: Vassilikis 2 & P. Skouze & Limpona, Athens