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Newpaper Research & Reading Room // 17.07. - 27.07.2010, Mit konzeptuellen Publi


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Newpaper Research and Reading Room

 

July 17 – 27 2010

Vernissage Friday, July 16th 2010,7pm

ARTISTS' NEWSPAPERS TALK by Eleanor Vonne Brown Friday, July 16th 2010,8pm

Pavillon am Milchhof // Schwedter Straße 232 // Berlin Mitte

Eleanor Vonne Brown and Michalis Pichler will put together a Newpaper Research & Reading Room gathering conceptual publications and/or artpieces that use form or content of newspapers, including works by:

Pierre Olivier Arnaud, Michael Baers, Fiona Banner, Derek Beaulieu, Erick Beltran, Anita DiBianco, Eleanor Vonne Brown, Matt Bryans, Gordon Cheung, Claude Closky, chto delat, Mirtha Dermisache, Brad Downey, Peter Downsborough, documentation celine duval, Jacob Fabricius (ed.), Hans-Peter Feldmann, Stephen Gill, Kenneth Goldsmith, Matthew Geller, David Greg Harth, Hildegard Karnath, David Keating, Jerry Kearns, Adrian Lee, Goshka Macuga, Mark Manders, Mark McGowan, Hugh Mendes, Jochem Hendricks, Michael Landy, Gustav Metzger, Carol Morley, Uriel Orlow, Michalis Pichler, Peter Piller, James Prez, Elizabeth Price, Javier Rodriguez, Allen Ruppersberg, Helke Sander, Karin Sander, Guy Schraenen (ed.), Tony Swain, Vibeke Tandberg, Zefrey Throwell, Anke te Heesen, Wolfgang Tillmans, Sue Tompkins, Kat Topaz, (U)LS, Günter Wallraff, Eric Watier, Eva Weinmayr, The Yes Men.

Newpaper Research & Reading Room

July 17 – 27 2010

Vernissage Friday, July 16th 2010,7pm

ARTISTS' NEWSPAPERS TALK by Eleanor Vonne Brown Friday, July 16th 2010,8pm

Pavillon am Milchhof // Schwedter Straße 232 // Berlin Mitte

Eleanor Vonne Brown and Michalis Pichler will put together a Newpaper Research & Reading Room gathering conceptual publications and/or artpieces that use form or content of newspapers, including works by:

SECHSUNDZWANZIG AUTOBAHN FLAGGEN

Bilderserie, fotografiert auf der Stadtautobahn (A100) und der Avus Berlin (A115), während der letzten Fussball-WM im Juli 2006.

Im Zentrum der teilweise verhuschten Bilder, die alle aus dem fahrenden Auto aufgenommen wurden, stehen abgebrochene Auto-Flaggen, die derzeit gerade wieder Hochkonjunktur erleben, und auch aktuell deutschlandweit die Strassenränder der Autobahnen säumen.

street reading

A short course on concepts of artists’ publications

Wednesday 9th June 2010, 7pm – 8.30pm
Talk starts 7.10pm
Fee £2.50 per talk, pay on the night

# 10: APPROPRIATION with guest speaker Michalis Pichler

It appears to me, that the signature of the author, be it an artist, cineast or poet, seems to be the beginning of the system of lies, that all poets, all artists try to establish, to defend themselves, I do not know exactly against what. M.B.

Related material

“The Page”

Curated by John Stezaker and Matthew Higgs

May 20 through July 16, 2010

Opening Reception Wednesday, May 19, from 6 to 8 pm

Tom Burr, Anne Collier, Shannon Ebner, Daniel Gustav Cramer & Haris Epaminonda, Wade Guyton, Richard Hawkins, Matthew Higgs, Judy Linn, Sara MacKillop, Michalis Pichler, Nick Relph, Tim Rollins & K.O.S., Paul Sietsema, Frances Stark, Dirk Stewen, John Stezaker, Rirkrit Tiravanija


street reading, Times Square, Michalis Pichler, October 14 2003

street reading


PUBLICATION AS PRACTICE

A short course on concepts of artists’ publications

Wednesday 9th June 2010, 7pm – 8.30pm
Talk starts 7.10pm
Fee £2.50 per talk, pay on the night

 

# 10: APPROPRIATION with guest speaker Michalis Pichler

It appears to me, that the signature of the author, be it an artist, cineast or poet, seems to be the beginning of the system of lies, that all poets, all artists try to establish, to defend themselves, I do not know exactly against what. M.B.

 

Related material

Theory & Practice: Statements on Appropriation

Practice & Theory (‘high’ culture): Der Einzige und sein Eigentum

Practice (‘low’ culture): street reading

Der Einzige und sein Eigentum

Der Einzige und sein Eigentum

Michalis  Pichler, 2009

appropriation/ new vision of the manifest of individual anarchism as published 1844 by Max Stirner under the very same title (The Ego and Its Own). The chapter titles and headers have been maintained, while the main text has been edited down to include first-person-signifiers only, and a lot of white floating around it. layout, typeset and dimensions follow the German version, which has been in print almost unchanged for the last 37 years by Reclam Universal-Bibliothek.


ROOSTING PATTERNS, Michalis Pichler, 2010

 

click on image

 

“The Page”
Curated by John Stezaker and Matthew Higgs

May 20 through July 16, 2010

Opening Reception Wednesday, May 19, from 6 to 8 pm

Tom Burr, Anne Collier, Shannon Ebner, Daniel Gustav Cramer & Haris Epaminonda, Wade Guyton, Richard Hawkins, Matthew Higgs, Judy Linn, Sara MacKillop, Michalis Pichler, Nick Relph, Tim Rollins & K.O.S., Paul Sietsema, Frances Stark, Dirk Stewen, John Stezaker, Rirkrit Tiravanija

 

“The use of the page in artists‘s books or for projects within the context of art magazines, for example, is an established genre. However, it is only rarely in this history that these uses of the page have become reflections on the nature of the book, the page or the manuscript itself, or on the particularity of a subjective encounter with this familiar –doubled - space.

 

Fillip #11 out now

Fillip is a publication of art, culture and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia.

Featuring: Lawrence Rinder, Haris Epaminonda & Jacob Fabricius, Arni Haraldsson, Keith Bormuth, Alex Kitnick, Jamie Hilder, David Berridge, Michalis Pichler, Milena Tomic, Renato Rodrigues da Silva, Gabrielle Moser, Antonia Hirsch, Aaron Peck, Kim Dhillon, Kate Armstrong, Liz Park.

P.S.1 Contemporary Art Center

On Friday October 2nd 2009 at 2pm Un Coup de Dés Jamais N'Abolira Le Hasard (Sculpture) will be launched at PS1 in the context of the New York Art Book Fair with music.

The music is created by playing the book on an automatic piano.

New York Art Book Fair


coup

Fillip #11 out now

Fillip #11 features Statements on Appropriation (first printed version).

"Michalis Pichler's Statements on Appropriation, published in English and German, is both a study in artistic appropriation and an art work in text form. " - Jeff Khonsary, Publisher & Kristina Lee Podesva, Editor