news

Pizza sells to moma

product of the day: Red, White & Blue Box

this limited and signed multiple compilation comes in a cardboard Pizza Box, featuring NY-related publications.

number 8 of 60 was recently acquired by the MOMA, NY.

-   !   N E W P A P E R 2 O U T N O W

Launch at 69 Broadway Market
E9, London
Saturday afternoon 02 August 2008
4pm - 6.30pm

and

Publish and be Damned
Rochelle School
Arnold Circus
E2, London
Sunday 03 August 2008
12pm - 6pm

published by T\EXT\ART\, London and
'greatest hits', Berlin, ISBN 978-3-86874-103-2

Cover price £1

put together by Eleanor Brown

OPEN CALL for contributions to the

Archive of Shredded Catalogues

If your work (any kind of authorship) is featured in a publication you are unhappy with - or want to have shredded for any other reason - you may submit it to the Archive of Shredded Catalogues.

All submissions will be properly shredded,

stored and contingently exhibited. They will not be returned.

Please supply the following information
 

 - your Name
 - title of publication
 - place and
 - year of publication
 - Comments (optional)

SOME FALLEN UMBRELLAS AND SOMETHING ELSE

ULS is a structure based in Marseille that invites authors to fill a 12 pages tabloid newspaper with content.

ULS 0: Celine Duval (Press release 0)

(current) ULS 1: Michalis Pichler (Press release 1)

(upcoming) ULS 2: Peter Downsbrough

----

(from the french Press release, text: Amelie Fauvet)

It appears to me, that the signature of the author, be it an artist, cineast or poet, is the beginning of the system of lies, that all artists try to establish to defend themselves, I do not know exactly against what.

Es kommt mir so vor, dass die Signatur des Autors, sei er nun Kuenstler, Cineast oder Dichter, der Anfang des Systems von Luegen zu sein scheint, das alle Dichter, alle Kuenstler einzurichten versuchen, um sich zu verteidigen, ich weiss nicht genau gegen was.    M.B.

Neu

Passenger Buttons D12

2007

Eleanor Antin, Rosa Barba, Yael Bartana, Ricardo Basbaum, Johanna Billing, Blood Music, Patricia Bucher, Harun Farocki, Simryn Gill, Luis Jacob, Almut Middel, Michalis Pichler, Gerwald Rockenschaub, Nedko Solakov, Hito Steyerl, Cosima von Bonin, Ai Weiwei

1 Button = € 1,50

Visit Passenger Books

dictionary of war
Berlin edition: February 23 to 25, 2007

The fourth edition of Dictionary of War will take place on 23 and 24th of February 2007 in Berlin, Sophiensaele. It will be the final edition of a first round of four events that have been organized to start this project. The session is concluding with aPostcriptum at the historic site of the unconditional surrender of German Fascism in 1945, today's "German-Russian Museum" in Karlshorst.

N E W P A P E R L A U N C H

Wednesday 21 st March 2007 from 7 pm
INDO bar, 133 Whitechapel Road
Whitechapel, London E1
nearest tube Aldgate East

published by ART AFTER PARTIES
cover by Eva Weinmayr
order copies at www.thenewpaper.co.uk

THE NY ART BOOK FAIR

The annual fair of contemporary art books, art catalogues, artists' books, art periodicals, and 'zines offered for sale by over 120 international publishers, booksellers, and antiquarian dealers. Admission to the fair is FREE.

LOCATION
548 West 22nd Street (10th & 11th Aves), NYC (map)

FAIR HOURS
Friday/Saturday, September 28/29, 2007, 11am - 7pm
Sunday, September 30, 2007, 11am - 5pm

featuring FRIENDLY FIRE, a curated selection of independent publishing by artists:

distorted rectangle ("waving"): Michalis Pichler at Revolver 

Opening of an exhibition of the work of Michalis Pichler on Wednesday, July 25 2007 from 7 to 10 PM in the showrooms ofRevolver, Frankfurt.

Stimmen zur Ausstellung/related voices:

The world is full of objects, more or less interesting. I do not wish to add any more.  

Un coup de dés jamais n'abolira le hasard

Met: Fernande de Korte, Anna Hakkens, Michalis Pichler, Petrus Hoosemans, Ernst van den Hemel (moderator)

Voertaal: Engels
English text there

In een eeuw tijd is Un coup de dés jamais n'abolira le hasard mínstens drie keer verschenen. Echter wel in verschillende vormen en bij andere kunstenaars. Als eerst werd het in 1914 in dichtvorm gepubliceerd (met de ondertitel poéme) naar de uitgebreide aantekeningen en instructies van de destijds reeds overleden Stéphane Mallarmé.